Basic Coverage
Learn the basic template for shooting the action in a scene - the master, coverage, inserts and cat-in-the-window shots, learn how to vary shot size to increase coverage, break the standard, plan for the edit, and ensure you get the coverage you need.Basic Coverage
Developed by Jason Tomaric, FilmSkillsIn this module, you will learn the basic template for shooting the action in a scene - the master, coverage, inserts and cat-in-the-window shots, learn how to vary shot size to increase coverage, break the standard, plan for the edit, and ensure you get the coverage you need.
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20:21 video that teaches you the basic coverage template
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Illustrated companion guide
- How to prepare for the edit when determining coverage
- How to frame and shoot a master shot
- How to approach close-ups
- Working with insert shots
- Shooting cat-in-the-window shots
Jason Tomaric
Director, Cinematographer Los Angeles, CaliforniaAndrew Davis
Director: "The Fugitive," "Code of Silence," "Chain Reaction," "Collateral Damage," and "The Guardian"Bethany Rooney
Critically acclaimed Director, "Brothers and Sisters", "Grey's Anatomy", "Desperate Housewives", and "Private Practice"Judy Irola, ASC
Cinematographer, Chair USC Cinematography DepartmentIrola was raised in Fresno, CA, the daughter of Basque sheepherders. After serving two years in the Peace Corps (her idea of college) she returned to San Francisco where she went to work for KQED-TV in their documentary film unit. Irola worked as a cinematographer for over 30 years and her films have won numerous awards. Her first feature Northern Lights won the Camera d’Or prize at the Cannes Film Festival in 1979. In 1993 An Ambush of Ghosts (directed by Everett Lewis) garnered her the Cinematography Award, Dramatic Competition, at the Sundance Film Festival. She has photographed 17 independent features and more than 40 documentaries throughout the world as well as a TV series for NBC, Lifestories, numerous Movies of the Week, After School specials for all three major networks and freelanced for 20/20, NBC’s White Paper, ABC’s Close Up and PBS’ NOVA and Odyssey. Her favorite films for television are the eight short films she shot for Saturday Night Live’s Schiller’s Reel including the classic La Dolce Gilda.
In 1995 Irola was the third woman to be invited to become a member of the prestigious American Society of Cinematographers (ASC). In 1997 she was the recipient of Kodak's Vision Award. In 2009 she was awarded the Women's International Film and Television Foundation's (WIFTS) Visionary Award for her body of work. She is a Full Professor and holds the Conrad Hall Chair in Cinematography (endowed by George Lucas and Steven Spielberg) at USC's School of Cinematic Arts. She has been Head of Cinematography since 1999 where she designs curriculum and supervises 24 cinematographers on the faculty.